2017年12月9日 星期六

Live end - dead end空間處理法

多年前就聽聞有招叫做live end-dead end,房間一頭搞成吸音,另一頭搞成反射,
這招好嗎?
我只簡單問一句,耳機是不是最乾淨?
你會不會希望自己搞出來的空間讓喇叭唱起來如同耳機那般乾淨又有耳機無法呈現的音場?
耳機為何乾淨?
因為沒有空間反射音波造成的混亂;
那,請問,你搞那個live end做啥?有道理嗎?

好,看看Neumann原文怎麼說,
http://www.neumann.com/homestudio/en/how-to-improve-the-room-acoustics-in-your-home-studio
Assuming your computer setup is facing a wall and the monitor speakers are next to the wall, this half of the room will be your dead end zone. The other half of the room will be your live end. Of course, you won’t get the lush reverb of a big live room in a professional studio, but you do get a bit of room ambience, which enriches the sound of acoustic instruments, in particular. And if you’re going for a dry sound, e.g. for the lead vocal, all you have to do is move your mic to the dead end zone. The LEDE approach thus offers some flexibility in terms of room ambience.
搞這招,是為了錄自然樂器用啊~
不是為了聽喇叭再生的聲音用啊~獨立的control room當然不能搞這招啊!
拜託~用點腦筋認真看好嗎?別啥都直接套,你在上吊啊!

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